Artists I Like: Eric Powell

This week, I'm talking about Eric Powell. But I don't have a lot to say, honestly.

This is an artist I really only know from seeing copies of The Goon on the shelf back in the early 2000s... but never picking them up. I loved his vibe, but back then I just wasn't buying comics. Too bad too because The Goon looks fantastic... and I STILL haven't read it. Full confession.

But Powell hits this list because I love the look of his art and he seems like a swell guy. His visual style reminds me heavily of Frank Frazetta, of course. I'm sure that's no accident. And, to be honest, I tend to think all artists in this vein remind me of Frazetta. Probably a problem with my own myopic view and understanding of the comics and fantasy art world.

I'm going to seek out more Powell stuff. I picked up his Buzzard mini series at a small comic con last year and it's great.

Meeting Your Heroes

File this one under "yet another blog post about separating the artist from the art or something". Just a wee rant/random thought. Skip if you don't give a shit about that stuff.

"Never meet your heroes" is an adage filled with dread and tension. We all have folks who we idolize in some way or another to lesser or greater degrees. If you love movies by Hitchcock, then you are a Hitchcock fan even if you don't like being saddled with that term. And yet Hitchcock wasn't a perfect man (I actually don't know much about him, so maybe he was terrible... I don't know, it's not the point).

In my youth I was influenced by a lot of artists and I still fondly remember their work. I do a Sunday blog post each week called Artists I Like and I highlight someone whose work inspires me. If I know an artist is a piece of shit or has some seriously controversial opinion, I might choose to avoid talking about them for that reason. I have no interest in expanding the lore of an asshole. But also, I have almost no interest in defending an asshole whose only connection to me is they drew a picture I love.

Anyway... I had Armando Gil on my list. Gil was a comics artist for Marvel, DC, etc. I know him pretty much only from the Savage Sword of Conan pinups he drew, which were incredible. So different from other artists' work, so rich and vibrant

I was working up a post about Gil so I looked him up to get a general idea about him. Turns out he was convicted of multiple counts of rape in 2017 and is now in prison.

The fact that I loved his Conan art and that it influenced me as a teen cannot ever be changed. And I'll never say I DON'T love his work. But it is also my choice to promote or not promote someone based on my own feelings about them. I have no desire to promote a convicted rapist, so I won't be including this guy in my Sunday post series.

Normally this is because I don't want to contribute to someone like this financially or socially. In this case I don't think there's much benefit to Gil for anyone talking about him. That ship has sailed. He's never going to be back in the saddle. But aside from that, I have my own principles and endorsing someone like that is not on my list of things to do.

There have been a few other artists who were slated to be on the Sunday list who I removed for similar reasons. Not quite as extreme as this one, but uncomfortable enough that I didn't want to talk about them. Also, I probably already talked about someone who you think was or is a bastard. I didn't do extensive research on all of them. And I don't care about trivial infractions. So what if this or that artist once told someone to fuck off at a convention. Even a dickhead can be good at drawing.

It's my choice. I know that some people are of the opinion that none of this matters and that you should talk about whatever artist you want to talk about, regardless of their deeds. I agree. And I don't want to talk about this one anymore.

The Artists I Like series is about expressing my admiration for work that inspires me. I'm sure 99% of the artists I talk about are wonderful people. Some of them might be assholes. I can live with a few assholes slipping through the gate. And, to be totally transparent, if I post one and later find out something about them that I can't tolerate, I'll just remove that post. That is me doing what I want, on my own.

Artists I Like: Kelley Jones

Like many, I encountered the work of Kelley Jones for the first time in the pages of Sandman. I was blown away by Jones' use of blacks, often lavishly applying black where other artists might pull back lest they be accused of 'faking it' by doing black fills instead of drawing.

But with him you don't get the impression the blacks are arbitrary or accidental. You get the sense they are natural emergences from the drawing process, the gloom and darkness of each piece oozing from the pen. Clearly this is an artist inspired by other greats such as Frazetta and Wrightson.

I know absolutely nothing about Kelley Jones other than he drew a lot of Batman and did quite a bit of Sandman. I don't own a lot of Batman comics... maybe just half a dozen plus The Cult TBP. So I don't have any Jones work outside of Sandman and a few other oddities lying around.

I find his drawings inspirational. They are visual treats. In my own work I often struggle to find the "vibe" that I love. Artists like Jones help me at least get a sense of what that vibe might feel like.

 

Artists I Like: Les Toil

Brian Clarke, aka Les Toil, is a Californian artist I first encountered in the early days of my internet life, c. 2000 or something. I don't know for sure.

What drew me to his work was that he was drawing Toil Girls... big beautiful women. Like for real, really wonderful, beautiful, actual women. He used to (still does?) take commissions from real models to do their Toil Girls portraits. And man, they are grand.

He's also got a boat load of Big Daddy Roth type of vibes going on that I admire, even though, in those days, I didn't know who Roth was. I didn't grow up in that culture and any vibes I got from it were secondary.

This is the portion of the post where someone might discuss Toil's influences. But I have recently realized I suck at doing that. It happened when I heard someone say that "Magenta Mountain" by King Gizzard and the Lizard Wizard sounded a lot like the Flaming Lips. As soon as they said it, I heard it. But if they hadn't said it I never would have thought of that. Even though it kind of feels obvious.

I'm the same with a lot of visual art. Of course Toil has influences, one of them being the late great Duane Bryers. But who else influenced Toil? Is he into fantasy artists like Boris Vallejo? Does he love some Robert Williams? I bet he likes some Coop. I'm not sure. I could probably research it and find out. Or just go to Facebook and ask him directly. But I'm pretty shy and I likely won't do that.

Anyway... let's wrap this up. Go check out some Les Toil art, even the fun animal stuff if you're not into the lovely ladies.

Black Pudding Heavy Helping Vol Two

Black Pudding Heavy Helping Vol. Two is now available!

In this volume you get issues 5-8 of the zine plus some new pages and handy indexes. Everything is arranged into sections, just like in Vol. One, for your ease of use. Because I care about you.

Let's see... what is in this thing? Here are a few tidbits you'll find...

Some comics, character sheets, character classes (alien, flamer, goon royale, rat bastard, etc.), monsters (troglozyte, monstrous toad, octonods, etc.), the wizard Zasto Filistian and his cohorts, many hirelings from the Bleeding Ox (Emma the Sage, Uulf, Chuck the Mucker, Iko Rain, Umber Jon, etc.), adventures (Marigold Hills, Rat Queen, Ghiki's Hole, etc.), a bunch of random tables, a setting (Yria, with its dozen gods and entities, map, city descriptions, etc.), cover gallery, indexes.

There's an 8 page adventure called Underground Down Below based entirely on a lovely map by Evlyn Moreau.

Overall, it's a 127 page black and white hardback you can whip out at your table and use however you like. Great fodder for a sandbox campaign.

Artists I Like: Jeffrey Catherine Jones

This week's entry is a figure with which I am only marginally familiar, though I've seen her work all over the place.

Jeffrey Catherine Jones, born in 1944, did a ton of book covers in the 60s and 70s. Luscious work, rich in somber colors and visceral figures. When I see a Jones piece, I usually am reminded of old 70s books I saw as a kid that had those muted colors. There a King Arthur book I had... no idea what it was called or how I got it. And the art in it was similar to Jones's vibe, at least in my memory. The figures were dramatic, and the themes kind of morose and dark.

Jones seems to have lived as a man for most of her life, transitioning in the 90s. I can't imagine how hard it would have been to grow up in those times and struggle with something as deep, fundamental, and confusing as gender. And to have the courage to speak to the world who you are... years before the topic became a mainstream discussion? Amazing.

She did work for Creepy, Witzend, Vampirella... and had some collaborations with my favorite artist Vaughn Bodé.

Making Zines!

I've been making zines. Kind of obsessively. I have no idea what triggered this, and that's fine. I tend to strike while the iron is hot, or I try to. If I don't do it that way then I don't get shit done.

Zines. I've made about six of them in the past week. Mostly sketchbooks and comics. Stuff I already had lying around and decided to paste up into little books, print on my shitty old laser printer, trim with my shitty old paper cutter, and staple into zines. Maybe add some dashes from paint pens on the covers.

I've written about this before, but I consider my first encounter with the concept of a zine to be from around 1980 when I got my wee child hands on some mini-comic sized DC origins comics. I remember thinking "wow... you can make comics this small?" Later, around 1987, my friend in high school introduced me to some proper small press zines and APAs. Proper zines... 8.5x11 sheets of paper with photocopied pages folded and stapled into digest sized books. A revelation!

I created lots of them in the 90s. Traded with other zinesters. Had a grand ole time. Then the internet came along and changed literally every fucking thing in the world.

Anyway... I've been making zines again. The only real difference in my methods this past week is that I'm pasting up in Photoshop instead of with scissors and tape.

The first one I made is the 24 page Hymla the Horn sketchbook. I had just finished drawing two dozen or so drawings of this plump barbarian wench in my square sketchbook, so the drawings were all in a square format. I printed these on 8.5x11 and then just trimmed them down to their final 4x4 size.

Once I held this on in my hand I knew I had once again been bitten by the zine bug. I had to make more. After all, I have a metric ton of material lying around I can use to create these little books. Let's have some fun, then.

Next up, I created another square format book collecting various recent sketches and drawings. I called it Swim With the Fish based on a drawing of the same name. This one was also 24 pages, as were most of the ones I made this week.

Then I created one called Space Run, which is a bunch of doodles of weird space people and ships.

After that, I kept going. I made I Am a Robot... Can you guess what's in it? Oh, there's a follow-up called My Metal Head but I don't have one printed out right now to photo. Also about robots.

So the most recent one I put together I just finished a few hours ago. It's called Yria. That's that name of the implied setting of Black Pudding (explicit in issue 7). It features a 16 page comic about Zarp, my little red devil character. The idea here is that I'll do an issue now and then featuring comics that take place in this world. Fun, right? This one is a digest sized zine, larger than the others.

Yeah, so this has been a hoot. I would like to put all these up for sale on my website soon. I just need to sort out the shipping method and costs. I know you can drop a single mini comic into a standard envelope, which would be the price of a single stamp. But mailing all of these at once would cost a bit more. I'm thinking somewhere around $5, media mail, in the USA.

I'll post about it when I can. Anyone interested in getting these can keep their eyes peeled. Each copy is unique because I'm adding a bit of paint color to the cover and signing them. Plus, as is the nature of hand-made zines, each is necessarily unique because you're printing and trimming by hand. Also, my old laser printer has spotty blacks... which I kinda like. Gives it a bit of texture.

More later. If you are a zine fan, let me know about your zines or your zine collection! I love that stuff.