Showing posts with label Kanebok. Show all posts
Showing posts with label Kanebok. Show all posts

Monday, July 1, 2019

Kanebok, the City of Dead Wizards



Following up on this post, here is the original blurb about the cit of Kanebok, the setting of Dead Wizards. I wrote this blurb several years ago and it is presented here mostly as it was, unedited. This will not be the final introductory prose but very close to it as I am keen on keeping this vision as pure as possible. Comments follow the blurb... imagine it being read aloud by Mako Iwamatsu.

KANEBOK

From the cataclysms of wizard wars crawled Kanebok, the City of the Exalted Prince. It squats on the edge of a cliff over which spills the dark waters of the River Uth. It is flanked by a desert and perilous badlands. Many old roads converge at its gates and queer vessels from queer lands arrive on the waters.

The Moyirs run the city. Dozens of them compete with one another, cunning and dangerous, backstabbing and plotting, always looking for the angle that will put them in the Mojab’s favor… for the Mojab is the boss of the Moyirs and the de facto ruler of the city. From his Marble Tower of Time he rides a resplendent palanquin of gold and jewels carried by sinewy slaves. The Mojab is the mouthpiece of the Exalted Prince, who is himself a child of the gods. All must answer to the whims and decrees of the immortal Exalted Prince, Supreme Ruler of all the Land, high in his Palace of Glass. Though he is rarely seen, his merest gaze can strike a man dead and his desires are law. On the rare occasion the Exalted Prince enters the city streets he is carried in a glowing howdah on the back of an immense three-headed elephant called Gaj’Uth. A brigade of his arcane guards go before him to clear the path, crushing those who refuse to move and demolishing structures so that not even mighty Gaj’Uth is made to touch the dirty city and its dirty people.

They say to be crushed by the feet of that great beast is to ascend immediately to heaven and be done with this life.

Few are willing to risk it.

You have come by fortune or fate to the city gates, their grisly faces grinning as you enter. Inside are streets of dirt and stone, malodorous, cacophonous… at once a nightmare and a dream. The city is never asleep. It is never still. They say the foolish or brave can find paradise here, if they aren’t swallowed up first.

This is going to be an interesting night, at the very least.

/end blurb

So yeah. Kanebok is meant to be "exotic". I am aware that my whiteness and Westerness means that I am coming from a very particular perspective and that many or most people in the world will have different perspectives on what that means. It's the curse of being human.

Anyway, while not being a direct representation of any culture, this setting is inspired by Arabian Nights types of fantasies, Hollywood-filtered Egyptian fantasy, and various African and East Asian images and ideas I have sponged up over the years. It's a melting post of this stuff... along with a lot of Western baggage, of course. It's the kind of shit a pulp hack writer would slam into their typewriter.

Speaking of which... in my head, Kanebok is the hub for a series of pulp adventures. Each gaming group is like a hack writer crafting their yarns in a shared universe... not unlike the way many authors contributed to the shared universes of Thieves' World or the Cthulhu Mythos. I was chanelling a lot of The Black CompanyConan the Barbarian, and Tales From the Flat Earth when I came up with the idea. I'm not trying to pave new terrain, just running on a feeling here. I hope the end result is something evocative and deliciously pulpy... warts and all. We'll see.

More on the setting and system later.




Sunday, January 22, 2017

Tanith and Stuff

Warning: I say naughty words and talk about sex in this one.

Haven't posted too much on ole G+ in recent days. So what have I been up to, besides hitting FB with political posts? What's the status? What's the scoop?

I haven't dived into Black Pudding #3 yet. I have 7 or 8 finished pages that MIGHT go in there, but they MIGHT go into their own book. I haven't made up my mind. It's part of a sandbox setting that would not fit in an issue. Maybe I'll dish it out one part at a time. I don't know.

I'm doing a bit of commission work and thinking about slowing down on it so I can focus on my own stuff. I'm always happier when I'm doing my own thing. Call me selfish. I like to do what I like to do and I don't like to do what I don't like to do. And while commissions are fun and I love getting my work out there to more eyes I sometimes feel hemmed in or dragged down when I have several on my plate at the same time. I've never been cut out for that kind of work like so many other great artists seem to be.

My good friend Cyd is running a Penny Hack for us on Mondays, which is probably wrapping up soon. At that point I will ask my cohorts to indulge me once again and dive into a campaign that is largely inspired by mixing up Tanith Lee, Robert E. Howard, Frank Frazetta, and Richard Corben. Some good ole S&S in a project I've been calling Dead Wizards (or Kanebok... not sure how it will appear yet). I ran this once before and it was nice but this is a totally revamped version. Trying some ideas. Breaking the old game down and working from its bones to make a new toy. If all goes well, this will be one of my 2017 publishing projects.

And, while I'm on it, I just gotta say Tanith Lee is fantastic. And queer as fuck, as my friend put it. I read Death's Master when I was 14. Have you read Death's Master? Homosexuality, attraction to cross eyed people, necrophilia, and a sex-shifting hero. It's no wonder I was so comfortable in my 20s drawing boobs and bits. Any inhibitions I had about whether or not sex was an appropriate topic for fantasy were destroyed by Lee's verbosity.

I'm currently enjoying Night's Master (the first book of the Flat Earth series) on audio. It's been many years since I read it. I had forgotten just how twisted it could be. You get demon-on-mortal sex right there in part one and then a dwarf-like demon (the Drin...sort of like duerger I think) fucks a giant spider. Yeah.

I mean, these are not porn books. They are not titillating. They don't get you off. These are dark, twisted faerie tales. Lee weaves wondrous, luscious, beautiful tapestries in her books. Each tale blends into the next, linking characters across space and time. This is where I got my great love for mythological or fable-like settings. IN my own broader fantasy setting, for example, there are a set of core entities. There are 12 of them, more-or-less. They are the gods and demons of the ancient world and they show up in nearly all my work. The Worm Witch, mother of 100 Dooms, was in Pan-Gea and again in a little sci-fi comic I did called Red Path. And she has been mentioned in numerous Labyrinth Lord games I've ran. When I run little one-offs I talk about Black Wing, the Bringer of Death. Or Hunter-Raven, also known as Frimm, God of War and the North. I talk of Nexus the World Tree and Sun and Moon. All of these beings linked together in a single narrative but split across many worlds.


This I owe to Tanith Lee's brilliant Tales From the Flat Earth series. Dark and delightful they are indeed.

Lots more to say about Tanith Lee's influence. But not tonight.